September Mourning Releases Cover Of “Stand By Me” Paying Tribute To The Late Great Ben E. King
The Dark Alternative, Hard Rock Transmedia Project September Mourning have released their cover of of the classic hit “Stand By Me”, paying tribute to the late great Ben E. King who recently passed away. The band is currently on a U.S. tour with stops at AC Boardwalk Con and Rock On The Range. The band will be making their UK debut later this year at Download Festival.
With dramatic dark lyrics that show glimpses of hope and redemption, I couldn’t resist a reinterpretation of this standard. It begged for a dynamic dramaticism that we couldn’t resist bringing to life. – September (September Mourning)
Check out September Mourning’s “Stand By Me” cover below:
September Mourning Tour Dates:
May 05 – Vintage Villains – Danville, Illinois
May 06 – Heating & Cooling Pub – Chicago, Illinois
May 07 – Frankie’s – Toledo, Ohio
May 08 – Diesel Concert Lounge – Detroit, Michigan
May 10 – Slake – New York, New York
May 15 – AC Boardwalk Con – Atlantic City, New Jersey
May 17 – Rock on the Range – Columbus, Ohio
May 21 – Hijynx – Fort Atkinson, Wisconsin
June 14 – Download Festival – United Kingdom
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About September Mourning:
“For me, the project is a story, a theatrical art piece,” September explains. “Music is the backbone, but for this to work, it has to include the imagery and the narrative all symbiotically linked into the whole. Music taps into your innermost being. There’s something very intimate and personal about it.”
The character of September Mourning is a human-reaper hybrid, who feels the need to give some human souls a second chance, and thus toys with Fate. To expound on this narrative, September is working with iconic comic book artist Marc Silvestri, who started out on the original X-Men comics and went on to form Top Cow Productions (Witchblade, The Darkness). Together, they are putting together the story of September Mourning in graphic form, to accompany, and enhance the musical message.
September Mourning carries positive passions into its music, which is often operatic, but also completely rock ‘n’ roll in all its majestic glory. The album is full of themes that run the gamut, from “Skin and Bones,” which takes on people who would judge you on appearances, and “Chariot,” about those who allow themselves to be consumed by somebody else, to “Paper Dolls,” lambasting a guy “who rips people’s hearts out without regret” and “Before The Fall,” a song that accentuates our common humanity. “When we bleed/We bleed the same,” sings September. September describes “Children of Fate” as a “call to arms for her fans, our families,” which she turned into a 6/8 waltz, “but heavy, eerie and strange, to give it this weird feeling.
Having toured with Marilyn Manson, September Mourning has already built up an impressive fan base, which she calls her “Children of Fate,” constantly encouraging them to have “the courage to embrace their passion… to allow yourself to follow your heart and not be a slave to your fears. To know that the only boundaries that exist in our lives are the ones we allow.”