Mastodon / Clutch / Big Business
Fox Theater – Oakland, California – April 28, 2015
Words and photos by Todd SipesThe Fox Theater in Oakland was about a quarter full when Big Business took the stage, opening for the Mastodon and Clutch co-headlining ‘The Missing Link Tour.’ The band consists of Coady Willis on drums and bassist Jared Warren, both well-known for being members of The Melvins. The two-piece put on a strong performance and had no problem drawing people away from the bar to watch the remainder of their set. Willis was perhaps the most aggressive drummer I’ve ever seen. When paired with Warren’s distorted bass and chugging voice, the two reminded me a bit of Red Fang with an extra dose of sludge. All in all, a great intro for the two remaining bands on the bill.
Next up was Clutch with Neil Fallon (vocals), Tim Sult (guitar, backing vocals), Dan Maines (bass, backing vocals) and Jean-Paul Gaster (drums). The band has released 10 studio albums and they have the cult following to prove it. The band started in the early 90’s and have taken very few breaks along the way. Their performance was top-notch compared to a slew of older, Gen-X bands who continue to go through the motions for ticket sales. Their heavy metal/stoner rock fusion sound sets them up to be palatable for a wide variety of listeners. Their live show is a perfect representation of their diversity: lively and quirky for the stoner rock fans but with a booming rhythm section for the fans of heavier genres. Fallon’s guttural vocals and on-stage theatrics made this band really interesting to watch. Songs like “Earth Rocker” and “Crucial Velocity” kept the packed house moving while the band’s true talent shined through on bluesy tracks like “One Eye Dollar.” Clutch made for a perfect segue into the heavier set of Mastodon.
Mastodon blazed through some of their older tracks like “Blood and Thunder” (Neil Fallon reprised his vocal duties on stage just as he did on the band’s 20014 album, Leviathan) but they also gave the crowd a healthy dose of their more recent albums with crushers like “Black Tongue” and “Chimes at Midnight.” I had an epiphany during “High Road“; Dailor was flawlessy bombarding his drum kit while belting out the chorus in unison with Hinds and Kelliher. At the same time, Sanders was bent over backwards as if being lifted to the sky by his torso. At that moment, I could only think to myself “Holy shit—rock isn’t dead…and it will never die because of bands like this.”